"Man, I can’t tell you how relieved I was when you took off your dress, you didn’t have a dick” says Clarence to Alabama in True Romance, as they sit high up, in front of the huge JMC truck billboard. Clarence’s post-sex relief is obvious; less so to most is the passing slap in the face of anyone watching who just might be trans or non-binary. Aw the early ‘90s. I still love and still hate that film. Some things in the world have changed; a great deal hasn’t.

This is a collection of reworked pieces, objects and ephemera from Cekca Het: Trans Panic, my recent exhibitions and performances based around a never-to-make-it noise band project. Cekca Het: Trans Panic celebrates and explores my identity pre-, during and post transition, through a mix of text, installation, moving image, sound, costume and performance. The work collapses my past and present, seeks domestic escape from medical horrors and social fears, considers my wriggles for position within trans spaces and art communities, and takes swipes at transphobic individuals and media.

From Freelands site:
This exhibition brought together the work of 21 artists working across the UK, including artists based in Cardiff, Belfast, Edinburgh and Sheffield. Sculpture, sound works, textiles, print, written word, film and installation, painting and site-specific interventions were installed throughout Freelands Foundation’s London building, offering an insight into new approaches to making and the most urgent topics being considered by artists today. Interspersed with artworks that invited moments of contemplation, this exhibition encouraged a re-examination of our own positions within contemporary cities and systems.

Artists: Becca + Clare, Brown&Brí, Jane Butler, James Clarkson, Mitch Conlon, Freya Dooley, Rebecca Gould, Maud Haya-Baviera, Jenny Hogarth, Rhiannon Lowe, Victoria Lucas, Jasmin Märker, Will Roberts, Conor Rogers, Sarah Rose, Rae-Yen Song, Eothen Stearn, Neasa Terry, Thomas Wells, Joanna Whittle, Mona Yoo.